Saturday, December 31, 2011

Nelson Muntz

My Uncle Pink's had invited me to visit his class. 

These drawing behind me look decent, I learned a lot more after finishing my first full animated film "A Very Fishy Event" in color.  This cel she is holding is from David Silverman's clip show.  The first computer color animation so there were actually no animation cels made.  Here I had made a fake one it demonstrated how it works/worked.
I actually haven't draw Nelson since 1990 and I think he looks much better here.


This was the first sequence with Nelson Muntz.  I felt really lucky to had help work on this sequence,   v.  I remember listening to the voice track and hearing his voice.  I thought it was a perfect bully character. I don't think I knew it was Nancy C.


Thursday, November 24, 2011

Star Wars "Empire Strikes Back"

Working on song "Rebel Fleet" for 'French Music' book


Found these great images to use a reference


These letterbox images would make a great head.

This one describes the feeling I get from the music.

I thought this was a great pictures of all them smiling.

I print in black and white so something simple just like this would work and I would be done!

Wednesday, November 16, 2011


The song "Bella Notte" was written by Bill Thompson & George Givot






Tuesday, November 15, 2011

Disney T-Shirts


Every now and then Disney hits the ball out of the park with a new design.  Too often I see many designs that try and appeal to a 'Gang' or 'Rap' crowd and have made some really ugly merchandise. But these two New Designs blew-me-away had me smiling EAR to EAR!

The quality of this Donald Shirt had got the same simple appeal.  Out-of-sight!

I love the lettering and image here too.  Really eye catching without too much happening.

Saturday, November 05, 2011

Nude swimming at the pool near the center of the dorms


I can not believe it's been 20 years since I went to Cal Arts! It doesn't seem that long ago.

Friday, November 04, 2011

Drawing Layout to TV Color Comp.

Somehow I found the exact two layout drawings from my one of my most favorite
Brian Mitchell scenes of the Cow and Might Mouse.  You can see how the cropping, clean up and color can make all the difference.  The non distracting color card allows zero conflict for the characters interaction.




I remember how extreme some of these cartoons would go on Might Mouse (1987). Above they are layout out by Brian Mitchell Directed by John Kricfalusi.  This is actually a John K. drawing below Mitchell above.

Friday, September 16, 2011


Mickey Mouse poses are the most cartoony I'd ever seen. Probably
making fun of the character for being to innocent.

Here are some

Thursday, August 25, 2011



Van Eaton galleries got a bunch new artwork in. I just happen to be seeing this fish that keep calling my name for $200. I love this stuff but it's so expensive and really should be in a cartoon museum for EVERYONE to see.

Above I found the frame and double checked to make sure it was authentic. I had bought other cels and did not check and found them not even to be in the movie!

Monday, August 15, 2011


Van Eaton galleries has some new artwork, here is a piece from Bedknobs and Broomsticks

Some old artwork, reworking with courage to resurrect some life into the cartoon. The most popular shoe I remember beside the Monkey Boot were the Larger Red "High-Top" Dock Martins. These air-wear boots allowed for great bounce when driving up to Hollywood to dance to you favorite 80's band.

Friday, August 12, 2011


I suppose 22 year old drawings would be considered to join the History page of my animation blog. These drawings are pretty good, not sure if I could even draw like this anymore! I made a this clay fishbone animation in 1989 and this is a drawing of it.
The drawings I liked the more in these old sketch books were where I had 'real life' reference. Stuff that I was inventing was pretty ruff and didn't have much direction, just "in the moment" sketches. . . not well planned. But I was just learning back then.
Originally I wanted multiple hands on each rib. I imagined the style was in a 1940's with still some early "rubber-hose" technique . You can see the influence that Chuck Jones and Marv Newland had on my work. Balloon-like flexibility.
This Chris Dowd caricature was suppose to go along with the Angelo character but never did any animation to accompany the Angelo and Fishbone cartoons . His head could be enlarged 20%. I was trying a brush-pen technique here. While crude I think my passion for drawing shines through my lack of skill at the time.

Here is a drawing I did in 1989. I don't sit around doing this anymore but thought this was pretty good. I found several sketch books going in many mysterious directions. I hope to post more good finds.

Wednesday, August 03, 2011

I am not too sure this background works with this set up but it looks authentic. I remember them being at the lunch room school cafeteria.
First animation of Milhouse.
http://www.youtube.com/watch?v=24gvMY0GR5w&feature=related

I found these Simpson cels from 1989 being sold at "Deep Archives" for around $200 each recently. Visit http://www.thedeeparchives.com. The weirdest thing was I bought drawings from this exact first Simpson commercial Comic Con 2008. I thought the price were pretty good being this one of the highest quality animation being produced at the time, main characters and hard to find classic first Butterfinger Commercial. Quality being artistry and Craftsmanship. Actually I bought two cels from this scene as well.

Monday, May 23, 2011


I was watching Walt Disney's Robin Hood (1973) tonight and in aw at all the work put into that film. The cast members are fantastic for each of the character voices. There's an emotion scene where the Sheriff of Nottingham barges in on Friar Tuck during a rainstorm and takes a last farthing from the poor box.


Friar Tuck tries to him to put it back but the Sheriff says, "I just doing my duty". The acting in the animation follows the voices perfectly bringing out emotion in the scene. These two character a large in size and the animator's literally throw their weight around. The way the characters move and act helps the story move along visually.



This above early color size concept piece is just as exciting to me as when I remember seeing it in 1973. I'm sure Milt Kahl and Wooly Reitherman had some challenges working this stuff out. It's a lot of work getting all of it done in a timely fashion.

Wednesday, May 11, 2011

After searching through 20 website I found one piece of art I helped work on.
From a Treehouse of Horror Halloween Episode. Bart's evil Twin.
http://www.animationartwork.com/simpsons_animation_art


After searching through 20 website I found one piece of art I helped work on.
From a Treehouse of Horror Halloween Episode. Bart's evil Twin.
http://www.animationartwork.com/simpsons_animation_art


Thursday, April 07, 2011


While researching Nuclear Reactors I can across this beautiful colored map.